By John K. Wilson
"Journalism
is the oxygen of democracy," declared media critic Robert McChesney. "Our
journalism is a flop. It's a very poor watchdog. It's a media system that works
against democracy. It's part of the problem, and in a democracy it should be
part of the solution."
McChesney spoke on April 25, 2002 at Illinois State University in a lecture on "Corporate Journalism and the Bogus State of U.S. Democracy" sponsored by the Indy newspaper. As the author of Rich Media, Poor Democracy and numerous others, McChesney (
www.robertmcchesney.com) offers an extensive critique of the media in America.McChesney traced the rise of professional journalism in the 20th Century, and how it has changed the media marketplace and the sources of information. One effect has been an increased reliance on official sources, which "removes the controversy of story selection" and "makes journalism cheaper." However, it also means that "people in power become the assignment editors." Today's journalism also avoids any context for its reporting, and "strpis politics of all the passion and values," which McChesney said helps explain why "we whave the most depoliticized society in the world." Professional journalism also dampens investigative reporting, because a "hard-hitting story on the CIA" is a "sure way" to lose your job (as happened to several journalistic contributors to a new book, Into the Buzzsaw [Prometheus Books, 2002], for which McChesney wrote the concluding chapter).
Although the media can sometimes accurately report on disputes between the two dominant political parties, "the problem comes when the elites are in agreement."
McChesney questions the common assumption that our media structure is the inevitable product of a free market or the commandments of the Bill of Rights, "thou shalt have 10 media conglomerates." To the contrary, McChesney argues that "Our media system is the direct result of government policies" and "drafted in the most corrupt matter possible." Today, "the right to start a new medium is virtually worthless" because "it's a monopolistic market." And the reason is not the free market, but "pure corrupt government policy."
The deregulation of the Reagan-Bushes Era has resulted in "almost a sea change in the attitude of journalists." Newspapers, which used to try to reach a mass audience, "have written off the bottom 30%." McChesney contrasts the wealthy suburbs, where "you can hardly breathe without getting a newspaper in your nostril" with the West Side which the Tribune and Sun-Times avoid: "That's not where the money is." As a result, writing "stories about the bottom 30% doesn't make any sense." Investigative reporting has almost completely disappeared: not only is it expensive, but "the story might come true, and then you're offending people in power." McChesney concludes, "Journalism that serves citizens is lousy for stockholders."
The alternatives in America are few. McChesney notes that in contrast to Europe, "We don't really have public broadcasting in the U.S." Instead, "what we have is nonprofit commercial broadcasting" aimed at "a sliver of the population" in the upper middle class (who are the ones who can afford to pledge money). Constrained from programs that appeal to the general public, and struggling to survive on limited resources, public broadcasting is put in an "impossible position."
McChesney has a new radio show, "Media Matters" at 1pm Sundays on WILL-AM 580 (
will.uiuc.edu) at the University of Illinois in Urbana, where he teaches. McChesney calls WILL "by far the most open-minded public radio station" he's encountered, noting that "I couldn't get on public radio on the East of West Coast." When one of the leading media critics in the country literally cannot get on the media, it reveals how powerful the censorship of alternative voices has become.McChesney notes, "We cannot blame journalists for the structure of journalism." But we need to blame the corporations that impose the structure of journalism and the politicians who work for them, and we need to change a media system that spreads more ignorance than truth.
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Interview by
Jessica Clark
While this fundraising effort has been praised as surprisingly restrained, the sensation it produced was disturbingly familiar. Whether our selection of channels numbers five or five hundred, too often, Americans flip through the lineup only to find the same faces, the same sentiments, the same production tricks. On the one-week anniversary of the 9.11.01 attacks, LiP spoke with media critic and political economist Robert McChesney about gaps in the coverage of the events and their aftermath, the news media's impact on democratic decision making in America, and US citizens' incomplete understanding of the role their country plays in the global economy. What, if anything, has struck you most about the coverage of the 9.11.01 events? Robert McChesney: That it has been blatant propaganda. Propaganda is the word that's most striking when you look at the nature of the press coverage. I think a lot of people would look at this TV and media coverage in general, and at first be quite struck with the drama and the emotion of the event. You assume that the coverage is dramatic and emotional, and therefore great as a result. You say "gosh, they've got all of these reporters and cameras covering this, they're trying to track down this great big story, it's pretty exciting...this is really great television, great journalism, really incredible stuff." But I think what we need to do is stand back and say "What do exactly do we want from our journalism in a crisis like this? What does the society need?" ...especially a society that has a constitutional representative government, like the United States does. And what we need are a few things: we need to have a clear understanding, to the best of our ability, of what happened, the factual explanation—a detailed journalistic inquiry into what happened, what the events were, how it took place. We also have to understand why it took place—what's the explanation? What led some people to an act so extreme, so extraordinarily grotesque? And third, we have to ask, "What is a viable solution, or policy, or response?" What makes the most sense, and what do we want to do here? We need our media to really lead and show direction in all three areas: explaining what's happening, explaining why it's happening, and leading debate over what can and should be done about it. And I think the coverage of the technical stuff, like how these planes were hijacked and diverted—I'm not going to fault that. I wish there was more of that; I'm still hungry for some pretty elementary information that might be in some of the press coverage, but I haven't seen it. That's really not where the main problems are. The main problems come in the explanation of why this took place, and the policies, what do we do about it. In the first case, the "why this took place," what the propaganda coverage has been completely incapable of doing is providing any context so that Americans could make sense of this attack. Not making sense of it in the sense that justifies it—but sense of it so that you could understand why people would be moved to do this, what forces in the world it reflects, and how strong they are, what the reasons are behind why those forces exist. What's completely absent in our journalism— both historically and in the last week—is any understanding of the US role in the world. We are [instead] presented this fairy tale picture by our politicians and our journalists of the US as this greatly benevolent democratic force. Like Bush saying that the attackers did this because they "hate freedom?" Yeah. In fact, even if you read the CIA's own internal documents, they're all about how the US is supporting sleazeball governments, and we're doing all sorts of terrible stuff. At a certain level, the people in our government understand that that's just public relations hooey, but our journalism gravitates towards that and sticks with it. So, most Americans see this terrible act and they think, "Gosh, we're such a great country—these people are obviously just pure evil. That's the only explanation." Likewise, Americans have no idea of the United States' own history in the world as a supporter of terrorism. The United States is, I think, by any honest account, the leading terrorist institution in the world today. I think it was Amnesty International, just a few years ago in one of its reports, that wrote that on any given day, some government or private organization is torturing, abusing, or killing people anywhere in the world, and chances are, more often than not, that it's a US-sponsored group or government. This part of our history is totally unknown to the American people. It's outrageous! If any other country had such a record—if the Iraqi media didn't report on Iraqi atrocities—all of our journalists would be slapping each other on the back, talking about how terrible their press system was. In our case, precisely the same thing takes place. This is unknown to the American people, and it simply can't be mentioned. One example of this that is most striking in the case of the Middle East is our support of sanctions against the government of Iraq, which, by the UN's own reckoning, has led up to the death of up to a million civilians, including perhaps as many as 500,000 children. All in an effort to make life basically so unbearable for the poor people of Iraq—the weakest people of Iraq—that they'll rise up and revolt and overthrow the government of Saddam Hussein. What is that, if not terrorism? 500,000 children murdered to get rid of a government you don't like—what's the difference between that and what Osama bin Laden is accused of doing in New York and Washington DC? But [after 9.11.01], the minute you say that, you're attacked in the media for "blaming the victim." Right—it's simply not discussable. Our press system doesn't allow that. The reasons for that are many, but one crucial reason that goes to the nature of professional journalism is its reliance upon official and credentialed sources as the legitimate basis for news stories. In this case, what that means is that the official sources, the legitimate sources, are almost entirely going to be so-called "terrorism experts": intelligence people, military people, national security people who are either currently in office or have held positions in previous administrations. They all pretty much share the same values and the same desires: their goal is to have increased military spending, increased spending on the intelligence communities, even less (if that's possible) oversight on what governments can do with regard to civil liberties and assassinating and killing people. They want to basically unleash this as the solution to the problem. They have no interest in condoning or participating in an honest evaluation of US foreign policy and the US role in the world...no interest whatsoever in participating in a critical examination of why the CIA and the military establishment in this country completely failed this country and allowed [what is now estimated at more than 6000] people to be murdered senselessly due to their incompetence. If any other branch of government—say, the Federal Aviation Administration—had allowed 200 planes to crash one day last week, killing 5000 people, the chances are small that the result of that would be "let's double the budget of the current staff of the FAA and have even less accountability, because the problem was the people leaning over their shoulders giving them a hard time." Of course, that's unthinkable. But, in this case, that's exactly what we're being told, and there's no debate over it whatsoever. It's just "where do we sign to give them more money and power?" Right—one lone dissenting voice in the darkness in Congress. Yes, Barbara Lee is the only one who has voted against this unbelievable bill in this sort of emotional, flag-waving hurricane that's been crossing the country. The point is, simply, that there is no connection, per se, between the emotion and the anger and the pain that we all feel about those lost lives and the loved ones who remain whose lives will be forever damaged—the agony of those people, it's heart-wrenching and extraordinary—between that and military violence. It's appalling that the press system would permit that legitimate anger and pain to be manipulated by powerful interests to suit their own political and financial agenda. To do that is a real abdication of any notion of what a free press has to be in a democratic society. One other example of this—you see, trotted out as experts, these hacks who have been discredited time and time again in the past, like Steve Emerson, whose definition of terrorism is that terrorism can only be done by those who are hostile to the United States. That's the starting point of your definition...I mean, you see people like Tom Clancy [being] brought in as an expert. We have in this country some of the most brilliant scholars and critics of US foreign policy, in the Middle East specifically: Edward Said, Noam Chomsky, Edward Herman. They are nowhere to be found. We have critics of US-sponsored terrorism in the Middle East, who understand it. They are nowhere to be found. Crucial information is being lost. And then, in grandest irony—or tragedy—in the Washington Post, on CNN and other networks, one of the key figures providing unquestioned "brilliant" analysis throughout these last few days has been former Secretary of State Henry Kissinger. As you might recall, just two days before this took place, on September 9th, CBS's 60 Minutes did an exposé of Kissinger that showed that, while he was working in the Nixon administration in 1970, he approved of, encouraged, and aggressively helped organize the assassination of the Chilean Chief of Military, Rene Schneider, after the election of Salvadore Allende. Schneider was politically neutral, and would not overthrow the democratically-elected government of Chile. So, Kissinger literally helped organize his being assassinated so he could be replaced by General Pinochet, who had no qualms about overthrowing the democratically-elected constitutional government of Chile to install a regime more to the US's liking. Now, Kissinger not only did that—in grotesque violation of US treaties...it's a treasonous act and he should be thrown in prison for life if not worse—but he lied to the US Congress about it. He lied under oath about it. This comes out Sunday night, and two days later, that's completely forgotten. He's again the great genius expert on the US role in the world and the need to combat terrorism. What do you think of Christopher Hitchens' attempts to have him recognized as an international war criminal? I think they're wonderful, and I think that maybe the CBS show, to some small extent, is a result of that campaign. But, what is quite striking is, despite the impressive amount of evidence that Hitchens has collected—and that others have provided as well—in our media, [Kissinger] still is regarded as this great seer. Being a war criminal in the United States, or a human rights abuser, or a murderer, if you're doing it for the United States government, is no problem for your qualifications. There's one other point that needs to be talked about in relation to the Middle East which weighs heavily in the American people's ignorance about the area. That is the issue of Israel and Palestine. Palestine is one of the truly tragic stories of the twentieth—and now the twenty-first—century. It's a wonderful nation that has been deprived of its independence, and now is trying to survive against an extraordinarily aggressive and powerful country that gets exceptional aid from the US, which makes it so powerful. Our news media coverage has always been rather hostile to taking Palestine seriously, and is very generous towards Israel. There are tremendous interests in the US government and population that always are eager to do anything to associate Palestinians with terrorism and to make Israel look like the good-guy ally to the US. These [tropes] push our media coverage along too to give it this idiotic, no-brainer understanding of how the news media works. To give [an example] of what took place just right before the September 11th World Trade Center attacks, to put this in context...Israel has begun the policy of systematically assassinating Palestinian leaders, or any Palestinians that they think are going to give them trouble. No trial, no jury—just flat out go and kill someone you don't like. A couple of weeks ago, Vice President Cheney announced that he thought that was a fine policy. Imagine, if you're a Palestinian, and you've got the Vice President of the United States—a country that's supposedly brokering a deal—approving of a policy for your enemy to murder your leaders at random with no pretext. You add [that] in with the Iraq sanctions, in with the US support for extraordinarily corrupt and vile governments in Saudi Arabia and Kuwait, and then you begin to see that, gee, there might be grounds for some people in the Middle East and the Islamic world not to think that the US is the font of all wonderfulness. But those issues, which are elementary, which are really not even debated—one could debate the interpretation, but the factual basis of them is beyond debate—are simply unmentionable in the US media, any more than you could mention that the Soviet Union was a corrupt dictatorship during the era of Breshnev over Pravda or Izvestia. The reason for this—there are lots of reasons, but a significant reason—is based in the codes of professional journalism which evolved in the last hundred years. I can't go into why professional journalism evolved this way, but, in a nutshell, it did so as a way that monopoly media and newspaper owners could make their content look nonpartisan, even though they were in very noncompetitive markets. Having partisan journalism was very bad for business; people didn't trust it. So they said, well, we'll be "professional." That's where the reliance upon official sources becomes so important. That was a new thing to twentieth-century journalism—like if the president or governor says something, it's a news story, regardless of what they're saying. It gives the people in power a lot of influence over news. If the official sources are talking or debating over an issue, it gets covered. If they aren't talking about an issue, it doesn't become a news story. You can't raise it. If you raise a story that the people in power aren't talking about, you're considered partisan. If a journalist were to report this week on the Iraq sanctions, the response of the people in power—and other journalists—would be "Why are you raising that issue now? No one's talking about it. You're just trying to interject your own opinions." But, as long as they volley between the range—in this case, almost no range—of official debate, then [journalists] are being objective, neutral, fair, nonpartisan, and professional. That bias is strongly implicated in our problems here. Another one is that professional journalism has always feared any sort of context. Because if you provide context and background to stories, it's impossible to do that without coming to a conclusion, usually. Then you suddenly have an "opinion piece." Then you suddenly have to wrestle with the controversy of saying something. This is something that professional journalism avoids like the plague. So much of what professional journalism produces are disconnected facts. The context is then whatever the elites or official sources consider relevant for you to know. That's exactly what's going on here. There's probably no foreign policy story over the past ten or twenty that has gotten more ink and air time in the US news media than the Middle East. At the same time, I suspect 95% of Americans—maybe even 98%—couldn't pass a rudimentary, fifth-grade-level test about what's going on in the Middle East today, and they wouldn't know a darned thing about how the Iranian situation is different from the Iraqi or Saudi Arabian. This is why people from South Asia are afraid of being beaten up in the streets of America, because [the bullies] can't even distinguish anybody of color from one another. Precisely. That's because we have a journalism that avoids giving the necessary context to make sense of stories because that's politically controversial. It's much easier just to throw disconnected facts at people. One of the ironies here is that journalism, which is supposed to engage people and get them informed about politics and policies, has the effect of basically depoliticizing them, because it makes politics so confusing and uninteresting by taking the partisanship out of it. Therefore you get situations like these, where you get these fairy-tale storylines straight out of an Arnold Schwarzenegger movie...All we need is Schwarzenegger or the World Wrestling Federation smackdown team, with The Rock. Because that's basically what we're seeing: pure good versus pure evil. It's a tragedy of the greatest dimension, because the problems we're talking about here, as we learned last week, we're all going to be affected by them. We're all on this planet together, and either we're all going to make it through this thing together, or we're all going to go down. At some point, we've got to really come to an understanding of how that works. How do you think the new climate of suspicion and increased militarism is going to affect the World Bank protesters and others who have been mobilizing against globalization? [ NOTE: the late-September World Bank meetings in DC were cancelled.] I think it's one of the real casualties here. It's really terrible. Already, you see all of the official sources and powerful interests who support globalization, who support neoliberalism, are quick and eager to tar terrorism with the anti-neoliberal globalization protests...an utterly ludicrous connection. There are vastly closer connections between the terrorists and the US government, historically. But, because of the way our journalism works, those sorts of charges can be volleyed around, and there will be hardly any dissenting voices. At best, you'll get a tepid, "well there's no real connection; most of them are good kids," or some baloney. Or that they're just pierced, green-haired dopes who will grow out of it. But the fact that it's an inane charge made by powerful interests to undercut this movement—that notion will not [show up] in our commercial news media, or PBS or NPR, for that matter. It's disturbing to see something that was gaining momentum, and was really fairly nonviolent despite various incidents, suddenly effectively being quashed. It's extraordinarily depressing. This is one of the worse things that has ever happened on a number of different levels: from the loss of life in New York and Washington, to the political climate it engenders, to what it does to the burgeoning and very exciting grassroots movements comprised disproportionately of young people. We just have to muddle through. I'm always an optimist, but the near term is going to require resolve, and I think it's going to require a lot more courage than people are normally asked to show. Courage in our society isn't just the physical courage to be willing to go out and have someone smash you in the head. It's the courage to go into a room of people who disagree with you and tell them what you think, to stand up for what you believe—to take the sort of abuse you're going to take, which won't always be yelling, but it just might be that you are blackballed from our culture, seen as a weirdo. In our culture, that's a tremendous disciplinary thing. You don't want to seem like a weirdo, so you just shut up and go with the flow. These are precisely the types of moments when we need people to stand up and be willing to suffer severe disapproval, and do so in such a way that isn't contentious or rude, but to stand for principle and truth and honesty and open debate, and not back down. War is generally more profitable for the media, right? Crisis situations are. In this kind of situation, you can't run ads—who's going to run ads for toilet paper after the World Trade Center collapses? But what's very good for the media in the long term or medium term is that something like CNN, its ratings shoot up, and history shows that they'll keep a good number of those viewers for the next couple of weeks, so it's really a great way to grab 20 million people and get them to check out your station. The Gulf War did wonders for CNN's profits.... I think that the news services, television especially, tremendously benefit by these sorts of crises: the Florida election thing as well. But I'm not conspiratorial enough to think that they would arrange this. But what they do along these lines is to create bogus things like Gary Condit and OJ and Jon Benet. Let's talk about the media owners a little bit more. Professionalism is largely responsible for the terrible coverage, there's no question of that. And professional journalism and its code is largely the result of the monopolization of media at the beginning of the twentieth century to try to create nonpartisan journalism which has deep biases built into it that produce this propaganda-type coverage, especially in times of crisis. But also, media owners play a role here. Our news media industry—at least the people who cover international and national politics with resources and lead the way for everyone else: AP, three or four major newspapers, CNN and a few of the television networks—consists of maybe twelve or fifteen major organizations covering these issues. It's a very small number, and these news media are increasingly the property of very large companies...much larger than the same companies were 20 or 30 years ago, even allowing for traditional growth in a market economy. They are not disinterested parties in how the world works. General Electric, which owns NBC, is a corporation that does a significant amount of its business outside the United States, an amount that has grown dramatically in the last decade. It's the largest company in the world. These companies, without exception, all strongly benefit from the sort of neoliberal globalization policies the US government pushes, that the World Trade Organization, the World Bank and the International Monetary Fund are [implementing], NAFTA...they benefit greatly by that. They also benefit greatly by having the US government play the job of enforcing global political etiquette, so that the world operates the way that the US thinks it ought to. So, you have a real conflict of interest with your media system that covers these sorts of events being owned by institutions that have a distinct self-interest that these policies go in a certain direction. How can we count on them to cover issues of the US role in the world, the nature of the global political economy, with the sort of fairness that journalism demands for a free society? This is an issue that hasn't been raised at all, but it is absolutely is at the bottom of all of this. How far could NBC go in analyzing the nature of our global political economy, the inequality it creates, or this corruption of the way decisions are made due to corporate power around the world?
Theoretically, professional journalists will tell you, "Sure, we can do
that. No one's stopping us." But the proof is in the pudding—we don't see
those sorts of stories. This is something that our society is going to have
to come to terms with if we're at all serious about having a viable media
system. |
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Rich Media, Poor Democracy: An Interview with Robert McChesney
Daniel Zoll interviewed Robert McChesney, author of Rich Media, Poor Democracy and one of the country's leading media historians. He teaches at the University of Illinois at Champaign-Urbana. Here are excerpts from their interview.
Bay Guardian: Why is it important for people to take to the streets to fight the National Association of Broadcasters this week in San Francisco?
Bob McChesney: Well, the reason why protesting the NAB is important is that they're the primary recipients of corporate welfare. They use their power not only to maximize profit but to really distort our journalism and our elections. And they've got to be held accountable; our broadcasting system has to be made accountable; and unless it is, it's going to be very hard to change anything else for the better in this country.
Bay Guardian: You write in your book, Rich Media, Poor Democracy that the media has emerged as a major anti-democratic force in this country. Where does the NAB fit in?
Bob McChesney: Well, you know, one of the myths of our media system is that it's like God-given. Like God handed a tablet to Moses who gave it to Lincoln and the Founding Fathers and then handed it to Rupert Murdoch; that we have this natural media system, it's the only way it could possibly be; it's the only one you could have in a democracy.
In fact that's not the case at all. Our existing media system today is the direct result of government laws and subsidies that created it. When the government picked companies and gave them monopoly rights to frequencies in San Francisco and Los Angeles and New York and Chicago, it was picking the winners of the competition; it wasn't setting the terms of the competition. Basically it was handing these companies a license to print money.
So the system we have in radio and television today is the direct result of government policies that have been made in our name, in the name of the people, on our behalf, but without our informed consent. And it has produced the system where a number of very large corporations and wealthy investors have made enormous amounts of money using public property, monopoly rights to public property, and haven't had to pay a penny in return for it to the American people. They get it for free.
Bay Guardian: And specifically how has the NAB used its influence to maintain such a sweetheart deal?
Bob McChesney: If you look at the history of broadcasting, what you find is the National Association of Broadcasters is a trade association whose mission is to protect the interests of the commercial broadcasters. Those interests are, because they're capitalist companies, to maximize profits. Their job basically is to minimize anything that could hurt the profits, and maximize anything that could help the profits of these commercial broadcasters, period. And that's their whole reason for existence. Whatever else they say is pure garbage. That's it. And that's what their history is all about.
They're been around since the 1920s, and they've been a very effective trade association. The commercial broadcasters have tremendous influence in Washington, D.C., for a couple of reasons. First, they're extremely rich and they have lots of money and they have had for a long time, so they can give money to politicians, which gets their attention.
But secondly, every bit as important, they control access to the airwaves. And politicians really respect that. They don't tend to want to get on the wrong side of broadcast media. If you're running for reelection in the House of Representatives race, you know, it's very important to you that you be on fairly good terms with the local affiliates in the largest market in your area. I mean you don't want to antagonize them.
So this gives it a lot of leverage in Washington, which means they oftentimes get their way. And as a result, we have the sort of radio-television system we do have, where it's the province of a handful of companies that make lots of money that do nothing in the public interest. It's exactly what you'd expect as a scenario.
Bay Guardian: Can you more about how our "free market" media structure is actually anti-competitive?
Bob McChesney: Sure. Well, as I said, the spectrum is a limited thing. When the government allocates monopoly rights to frequency, and there are only a handful in each community, it's picking the winners in the competition. The whole competition takes place in getting that license. Once you got the license, a chimpanzee can make money running one of these stations.
So the competition isn't once you got the license, running the station; it's getting the license. The whole process of getting licenses to broadcast, which took place decades ago, was done behind closed doors by powerful lobbies, and wealthy commercial interests got all the licenses with no public input, no congressional input for that matter. I mean I've documented it.
Then once they get it, they talk about how much competition there is. My god, you've got a license to broadcast AM/FM or television in this country, if you can't make money, you're pathetic. You're pathetic. You have no right to live. You're appalling. A chimpanzee, as I say, could manage one of these stations.
So it's not like anyone can start and enter this market. There is strictly a limit on how many stations you can have. So it's a tremendous gift by the public of giving this right to these companies. What do they give in return for it? How do they pay for it?
And understand that scarce spectrum is used today for example for cell phone operators, they have to pay for the airwaves they use, for their services. Broadcasters don't have to pay. The public gets not one penny from them in return for those airwaves. And what's the rationale for that? The rationale is that commercial broadcasters, unlike cell phone operators, for example, are doing something in the public interest. Which is supposed to mean they're doing something in their broadcasting they would not do is they were simply out to maximize profit; if they were really public service institutions, not purely profit maximizing institutions.
But the fact of the matter is, that's laughable. They're doing nothing. They're doing everything to maximize profits; they're doing nothing in the public interest whatsoever; it's a total joke. Or if you want to call what they do in the public interest, then every company is working in the public interest and deserves the same sort of freebies. They're doing zippo, but they have an extraordinarily powerful lobby that's almost invincible, so you can't really attack them on that.
So it's a case of colossal corporate welfare; there's no other way to describe it.
Bay Guardian: In San Francisco, with ownership deregulation. a handful of companies now control the majority of radio stations. Can you talk about state of the radio industry around the country?
Bob McChesney: Well, I think the whole radio situation which I think we talked about yesterday is criminal. They're indefensible on this. They basically pushed and got these laws changed, you can own all these radio stations, and if you read the business press or trade press, the profits have shot up at stations. But at the same time, the quality has plummeted in direct relationship. One side, profits go up, they own more and more, but the diversity, interest, creativity and quality of the programming goes way down.
One survey that I saw that was published I think in Variety or Electronic Media within the last three weeks says that now the average hour of radio in the United States has 18 minutes of commercials...I mean they're just using this market power to just absolutely pummel us with advertising.
Bay Guardian: What to you propose as a solution to the ownership concentration problem?
A far more sensible policy in this country, in my view, this wouldn't require a political revolution. It should be simply one station per owner. Which it's our property, we should be able to do it. Because all the benefits that go from - if there was one station per owner, if that law was passed today, what would happen immediately? Well, the value of these stations would plummet. Because you'd have to find new owners. And if you could only own one station you couldn't make as much profit from it as you could if it were part of a chain. But the price would probably come down a lot closer to what the actual products costs are running a station, instead of being based on the monopoly profits you make when you own 800 stations.
Which would mean all sorts of people could start buying stations who wouldn't be in the market otherwise. Maybe if you and ten of your friends could pool your savings and borrow some money and actually buy some obscure station in Sonoma, and then take some chances and have some fun.
The costs of radio, the physical costs of putting out a good signal are ridiculously low, which is why micro-radio is so wonderful. The cost of these stations has nothing to do with the cost of production. It's like the film industry, where they can claim the cost [unintelligible] millions of dollars to make "Titanic". You can put out a damn great radio station on a very low budget.
Bay Guardian: Here in San Francisco the commercial news talk stations are basically controlled by Disney. If there was a market for all-progressive talk station, or at least a more diverse talk station, wouldn't Disney, given that it's a bottomline corporation, bring that to us?
Bob McChesney: Well, that's an interesting argument. To some extent, there might be an element of truth to it. But I think the way it works is simply this. The relationship between the media owner, their relationship isn't strictly with people and audiences. It's also with advertisers, and that's the most relationship in radio; in fact it pays the bills. And it's with certain types of people in the audience. If they're targeting people that advertisers are interested in as well.
And this sort of changes the whole logic around. So that what you tend to see is someone like a Rush Limbaugh, he's the classic case because he's the most successful, he didn't sort of like come out of his mother's womb with the highest ratings in the country. In fact he was a commercial radio DJ for I think 20 years before he hit it big. He had 20-25 years to develop his right-wing shtick, working his lines, getting his act together to become entertaining. And he was given a lot of time.
Now take Jim Hightower, who's sort of the only progressive to my knowledge that's had any chance to do radio. In fact, I don't know if you've heard Hightower, an extraordinarily funny guy. Very smart, witty. And very knowledge about politics. He got an ABC show, actually, the weekend show on their national network for a few years, the early to mid '90s. But he wasn't given anywhere near the leash that Limbaugh was given, 20 years to work up his shtick. Because Hightower's problem, among other things, is that advertisers would be a lot less interested in his show than in Limbaugh's, even if they have similar ratings, because of what Hightower is saying. I mean I don't blame them. Hightower is left scrambling to get advertisers, because they're saying, do I really want to put my orange juice ad on a show bashing corporations? I've got other choices. I can get these demographics with Rush Limbaugh, and he's telling the world how people like me are the greatest thing who ever lived; you should lower my taxes. I'd rather support that. So that's a real crucial factor.
You know, a left-winger, the barrier to success if you're on the left in commercial radio is a mile and a half higher than it is if you're on the right. Certainly the fact that our airwaves are dominated by right-wingers, far right-wingers, and the version of liberal tends to be the most mealy-mouthed Clintonite. Obviously this doesn't reflect the general population. I mean the interests and values and politics of the general population, to the extent we can generalize.
Bay Guardian: Can you talk about the current election in the context of the NAB and campaign finance?
Bob McChesney: The number one lobby that opposes campaign finance reform in the United States is the National Association of Broadcasters. For that reason alone, they are public enemy number one if you want democracy in this country, not to mention all the horse manure journalism that's served up on television and radio today. This is another subject. Local television news, on both radio and television, is so appalling. Makes print journalism look like the greatest stuff ever written.
But having said that, what's happening with campaign finance reform and our political culture is devastating. Because what's going on now, and this applies mostly to television stations in the largest markets too, but TV stations basically are now the primary receivers of campaign spending. The cost of congressional and presidential campaigns has been leaping every two or four years. I think this year it will be 60 percent more than 1996; well over twice as much as in 1992 in the presidential and congressional races.
The majority of this money goes to pay commercial broadcasters to run these ads, these TV spots, which are now the whole basis of campaigning. George W. Bush, for example, is such an imbecile that he's in hiding with his Teddy Bear in Washington, while they spend hundreds of millions of dollars running idiotic ads, and have his PR people run around the country trying to alter the press coverage, because that's who politics is run today. The news is often just about who's ads are running, about what the ads say, not much about what the candidates say.
And this is where over half the money goes to pay for these ads; all the studies show these ads are filled with half-truths at best, if not lies. And oftentimes dealing with no issue of any great importance, but just sort of stuff that they figure they can manipulate people with.
At the same time that the broadcasters get all this money for these ads, they love it and it's a source of tremendous profits, this is using the public airwaves which they get for free, and then to basically make a pile of money selling political ads, and then the amount of press coverage of campaigns has plummeted over the last 20 years as the amount of ads has gone up.
Basically what they're saying is, if you want to be on TV, if you want to be a credible candidate, you've got to buy ads. And if you're not buying ads, you're not a credible candidate, we don't cover you. You don't have that sort of money. We're not going to cover hardly anyone, but those few we do cover are going to be people who pay a lot for ads. So if you're thinking about changing democracy, these guys stop every effort for free spending, to eliminate TV ads. Which I think is mandatory, we have to outlaw them as a condition of a license. Every effort to take these elections and have them stop being auctions they oppose; they're the leading lobby that oppose it.
Bay Guardian: So everyone complains about the media, but the movement to democratize the media hasn't really captured the imagination of Americans. Can you explain why that might be?
Bob McChesney: Well, sure. You're right and you're wrong. I mean you're right in that it's not a big issue. You can't organize around it. And there are obvious reasons for that. For one thing, it might just be so abstract that there are other pressing issues that attract people. That's one possible explanation. I think there's an element of truth there.
Also, the commercial media in a superior position, really, to any other corporate lobby, because where would people hear about commercial media or corporate media criticism, where would they hear criticism of them other than in the commercial media? They're not going to hear it there.
So they don't really have a lot of leverage over how people even perceive debates over their own existence. For the most part they black them out, and the few times they cover them, they grossly distort them, misrepresent them.
So it's a much more difficult issue to organize around, because you can't get media at all to make your case. And that's where cases tend to be made politically.
So I think it sort of feeds then a sort of defeatism that you give up. Likewise Ralph Nader, he's running for president now, although in a large portion of the country, he's getting about the same sort of press coverage than Andrei Sakharov used to get under Brezhnev. But in media reform, especially in broadcasting, it's been a central concern of Nader's for decades. He's really the leader of the whole movement to call attention to the corruption of this whole broadcasting system. But even Nader has dropped it from his top 10 or top 20 list. And I think for the same reason. There are just not a lot of people organizing around it. There are more important fish to fry, or more apparent fish to fry if not more important.
But having said that, there's also a sea change in attitude towards media. Now we're in a situation where there are a lot more people saying, yeah, we should change this thing. There are a number of reasons for this. I think part of it is, the system has gotten a lot worse in certain respects. The weaknesses are more transparent. The garbage can journalism on television for example. The bombardment of these political ads on television too. The lack of critical coverage. Those sort of things are more apparent. The commercialism of our society is more ubiquitous than ever, if that's possible.
What I've found is that there is a tremendous interest in these issues, across the political spectrum, sort of left-right terms we used to describe people don't really hold here exactly. I mean I think that once you get beneath the talking classes of conservatives and mainstream people down to the rank-and-file, even people who consider themselves moderates or conservatives don't like garbage can journalism; they don't like political ads; they don't' like their kids being carpet-bombed with advertising on television. They have very real concerns. They don't like the corruption of giving away the radio and TV spectrum for nothing, for zero. Literally hundreds of billions of dollars of corporate welfare made in their name without their informed consent.
There's tremendous interest in these issues when you get to talk to people. We've come two inches on a hundred mile journey, but the hardest two inches. And ten years ago, no one even though we could get a half an inch.
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volume 3 may 2000 |
Media matters: 1. Monopolies |
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| An interview with Robert McChesney | ||||||||
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by David Barsamian | |||||||
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"There's a myth going around that capitalism is based on competition. Have you heard that one?" says Robert McChesney, professor of Communications at the University of Illinois at Urbana-Champaign, in the first part of his interview by David Barsamian of Alternative Radio. Instead, he argues, the media are "... under the greatest wave of corporate concentration and the greatest attack on competitive markets arguably in the history of U.S. capitalism." |
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| Boulder, Colorado, November 10, 1999 | ||||||||
| 1 | Will Rogers once said, "I only know what I read in the newspapers." If Will were around today and looking at the media scene and opening up the newspapers, how much would he know? | |||||||
| He would probably have a pretty good idea of what life is like for an upper-middle-class or upper-class person living in a suburb in a 10,000-square-foot house with investments and doing e-trade, because that's the world of our newspapers today, specifically. But all of our journalism and our media increasingly are pitched along the class divide of our society. So that if you take newspapers as a great example, in the 1940s, every major daily newspaper had at least one or two labor reporters or editors. There were over a thousand in the country. Take something like the 1937 sit-down strike in Flint, which established the UAW. In a sane world it would be a national holiday. It's one of the decisive moments in the twentieth century. It was a front-page story in every newspaper in the country. Even the Chicago Tribune, which despised labor, covered it. At dinner tables around the country people talked about the strike every night. | ||||||||
| Today, you know how many full-time labor reporters we have? Three. From a thousand to three. At the same time the number of business reporters has increased so exponentially that I don't even think they call them business reporters any more. They're merged. Like cable TV news today, if you watch the Fox news channel, or CNBC or CNN, business news and news are almost interchangeable now. CNN's flagship news program is called Moneyline. It's entirely geared towards the markets that advertisers are interested in, which is the upper middle class. Newspapers have written off the bottom thirty or forty percent of the populations in their markets. They don't even sell the papers oftentimes in poor neighborhoods. So what you get is news basically aimed at the needs, prejudices of fairly well-to-do and affluent people. Even then I think they do a fairly poor job of it, but that's what it's aimed at. For the rest of the population, it's, You're not invited. | ||||||||
| 2 | Another change that Rogers may have noted is how few newspapers there are. New York once had seven major dailies. Now it's down to three. In Houston and lots of other cities around the country there is only one paper. | |||||||
| New York is the exception. There are only a handful of cities with competing dailies with different owners, where they don't have some sort of cartel agreement. Something like 95% of American communities are one-newspaper towns. What these newspaper companies have discovered is that they can make a fortune in these monopolistic communities by low-balling journalism, by stripping down the piece for parts and using lots of syndicated material and fluffing it up. The profits go off the charts. In 1985 Gannett, one of the big chains, bought the Des Moines Register, historically one of the great American newspapers. The Register at that time had a full-time reporter in every county in Iowa, so wherever you lived you could follow state politics. Gannett, which owns a hundred monopoly newspapers around the country, said: "What are these jokers doing for the bottom line?" and fired them all. They shifted the coverage to focus on the wealthy suburbs of Des Moines and the business community. Their profits shot up. Their costs went down. They run syndicated material, comics and wire service articles. But the citizens of Des Moines, of Iowa, lost out. There's no coverage of their state. And given newspaper economics, and media economics at large, it's not a competitive market. No one can start a newspaper and hope to compete. Once you've got a monopoly in newspapers, you've got it forever. | ||||||||
| 3 | What was that famous line attributed to A.J. Liebling? "Freedom of the press is ..." | |||||||
| "... for those who own them." That's the truth constitutionally. We talk about the First Amendment, invoking it constantly. That's what Liebling was referring to there, the idea that we're protected from government interference in matters of the press and free speech. It's a wonderful idea, a wonderful freedom, one of the great things about this country's history and the struggle to bring that into being. But a funny thing happened along the way with the First Amendment and freedom of the press. When it was passed, the owner and the editor were the same person. There were largely competitive markets. If you didn't like what was being done, you could start your own paper, own it and edit it. That was the way newspapers were for the first hundred years of this country's history. But we had a big split take place a hundred years ago that separated owners from the editors and reporters who actually do the creative work. Moreover, the ownership is in the corporate form, which is blind shareholders who own stock in media companies and oil wells or gold mines or automobile companies. Whose First Amendment is it then? Our tradition has been to say it stays with the owners, not the editors or reporters. So editors have no First Amendment freedom, just the owners. It's rarely commented upon, but it's been a real shift in the First Amendment and one with disastrous implications for the caliber of journalism and our whole political culture. | ||||||||
| 4 | You make an urgent connection between media and democracy. Why? | |||||||
| This is nothing original. This goes back to the Founding Fathers, even before that. If you have a notion of democracy, which is: the many rule. Obviously you can't have a plebiscite on every decision. That's not going to happen. But people in representative democracies can make the fundamental value decisions and elect people to implement them. That's what we can hope for. To have that be effective and viable, you need some sort of media system that's going to do two things. First of all, it's going to ruthlessly account for the activities of people in power and people who want to be in power so you know what they're actually doing. Secondly, it's going to give a wide range of opinions on the fundamental social and political issues that citizens need to know about. It doesn't mean that each medium has to do that, but the system as a whole has to provide that as an easy alternative for people who want to participate as citizens. That's the test of a media system in a democracy. That's the test we should apply to it. By that standard, our current media system is a fiasco. It's a system set up fundamentally to serve the shareholders and a dozen or so massive companies and their major advertisers. It does that quite well. But it works more often than not directly against what's necessary for a democratic society. | ||||||||
| We're such a commercially marinated society that our notion of speech to fellow citizens to bring truth through discussion and interaction has been pushed to the margins. Now the whole idea of speech is to make money. So whether something's true or false is irrelevant. If they buy you're product, that's the truth. If they believe your lie, that's good enough. You get from them what you want. Completely lost in the dominant culture is the genuine notion of truth, a sense of how it comes as a result of dialogue and interaction and exchange. I think we have to get back to that, and our media system isn't going to get us there. It's part of the problem. It's Madison Avenue and Wall Street's media system. | ||||||||
| 5 | There's been a huge explosion of "trash media." What accounts for it? | |||||||
| The conventional wisdom is that it's demand-driven, that the audience is demanding more stories about JonBenet and O.J. and car crashes and JFK Jr. There's a element of truth about that, to the extent that if you're fed a steady diet of something, eventually you're going to demand it. It's a given. But the real motor force behind it isn't demand. It's supply driven. The reason why this sort of journalism dominates is that it's extremely inexpensive to do. It's extremely non-controversial to anyone in power. It's ideal fill space. It will attract an audience. It doesn't take skilled journalists. You can have low-ball, low-budget journalists. Compare it to what real journalism would do. Take the same reporters covering the JonBenet case and have them examine toxic waste dumps in the U.S. Take all that human labor and money into that. The same money would probably cover a lot fewer stories, because it takes a long time to do and it takes six months to break a story. The story might not even pan out. That's one of the risks you have. Then if it does pan out you're going to get some very powerful corporate and governmental interests pissed off at you. That's the last thing these corporate media giants want to do. That's something they try to avoid like the plague. So you just aren't going to see that. You never have to worry about the JonBenet story pissing off the head of a bank. So I say it's supply driven. It's very profitable. People consume it and they say: "People are really interested in this." The O.J. trial. Even I was interested in whether Kato Kalin was going to get a job after a year of this. You get exposed to enough of it and it becomes a sort of soap opera. But I would have loved to have the opportunity to be exposed to some real journalism that engaged the major issues of the day. | ||||||||
| 6 | The corporate media managers, the conservative critics of your argument, will say: "Look, that's fine. We are giving the public what it wants. The proof of that is that they can vote with their remote. They can just click off that Seinfeld rerun if they don't want to watch it. No one is force-feeding them." | |||||||
| That's one of the big arguments I try to deal with in Rich Media, Poor Democracy, the idea that the system is giving the people what they want. There are a lot of layers to answer that because it's such an important argument. And there's an element of truth to it. If there wasn't, it wouldn't be a strong argument. No one puts a gun at your head and says you have to watch this or that. You can switch channels. The problem with it is first of all go back to what I just talked about. The relationship of supply and demand isn't one of obedient media giants giving you whatever you bark out your command for. It's a complex interactive relationship. Let me give you one example of how that works. In the mid-1970s, ten percent of the films exhibited in theaters were foreign films, made outside the U.S. In the mid-1980s it was down to six or seven percent. Today it's one-quarter of one percent: .025%. It's non-existent, in other words, except for maybe an occasional film. In the traditional give-the-people-what-they-want theory, this would mean that some time in the last twenty years the American people resoundingly smashed their fists on the table and said: "Get these foreign films out of our theaters." We hate them. We refuse to go to them. But that's not what happened at all. It was the direct opposite. Starting in the mid-1970s, you saw the end of the single-screen theater as the main form of distribution. So single-screen theaters were replaced by multiplexes. One multiplex with eight to twelve screens. One camera person operates all twelve screens. One popcorn crew operates all twelve screens. It's basically impossible to survive with a single-screen theater any more. | ||||||||
| All the foreign films were coming into single-screen theaters. So there were two dozen foreign film theaters in Manhattan alone in the 1970s. Today I think there's one, if that. Cities like Seattle, where I lived, had six. Even in small towns like Yellow Springs, Ohio there were a couple. It was commonplace. But those sorts of theaters couldn't survive. They were replaced by these multiplexes. So then when a French or Japanese filmmaker came to the U.S. and wanted to screen a film, the multiplexes said: "You have to be in all 215 multiplexes, and you have to pay a marketing budget equivalent to what a Hollywood studio spends to buy those big ads that you have to run the weekend before you come out." The amount of money was prohibitive for them, several times more than they paid to make the film. Over time they stopped being carried. As a result today, I ask my students: "How many of you watch foreign films?" Most of them don't even know they exist. They make films in Germany? Really? They aren't going to ask for them in the video store, so there's no demand for them, but it's not that people don't want them. They don't have a chance to be exposed to them. That illustrates how complex this relationship is. The idea that you have a vote is nonsense. | ||||||||
| Take cable TV. You have a choice. What is your choice? The fifty largest commercially viable cable television channels are basically owned part or outright by these eight or nine largest media companies. Time Warner, Disney, News Corporation, CBS, Viacom, TCI, now AT&T, General Electric, NBC, Sony. They basically own all the five or six commercial proven genres that they all ape each other with. It's not like you have fifty distinct channels. Everybody's got their business news service. They've got their commercial kids channel which bombards kids with ads around the clock. You've got your sports channels, music video channels. There's a handful of genres. If you don't like it, what choice is there beyond that if you want to watch TV? You don't really have a whole lot of choice. You're going to get one of their channels, and they're all imitating each other. That's another thing about the market. It's actually ironic, given all the claims made about it. It's a very poor mechanism for creativity. Look at popular music. These record companies are constantly desperate to make money. So they want to give people what they want, the five companies that sell 90% of the music now, all but one part of these huge giants we just named. The problem they have is that the commercial impulse isn't always very good for creativity. All the great breakthroughs in rock and roll and popular music in the last forty years have been outside of their web. It happens in the nooks and crevices. Once these corporate guys get hold of it, they try to recreate it. They do marketing surveys, demographics and focus groups. They come up with something that's lost all the creative spark. It's pathetic. They just can't do it, and it gets worse and worse, not better and better. It's built into the process, in fact the commercial marketplace arguably is anti-creative. Real creativity can't be sparked on Wall Street. | ||||||||
| 7 | Talk about the 1996 Telecommunications Act, which was very strongly pushed by Bill Clinton and Al Gore. | |||||||
| And the entire political establishment. The Republicans are in bed with them. | ||||||||
| 8 | The logic that was promoted then was that the passage of this act would usher in a new era of diversity. It would foster competition. We've had a few years now to look at the record. What does it look like? | |||||||
| There's a myth going around that capitalism is based on competition. Have you heard that one? That's one they feed us here at the lower levels. The Act ushered in the greatest wave of corporate concentration and the greatest attack on competitive markets arguably in the history of U.S. capitalism. It's done the exact opposite of what the PR people said would happen. The corporate lobbyists that rammed this law through, paid for it and bought off members of Congress to support it, knew this would happen. They would never have put this through if they thought it would lead to competition. They were ramming it through to make sure it would give them all the tools to prevent there being competition. The outcome actually is exactly what the real people behind it wanted. We started in 1996. Look at telecommunications. We had AT&T, Sprint, MCI, the long-distance companies, GTE, and the seven Baby Bells. We had eleven companies. Now we are down to four after mergers and acquisitions. Look at the media, radio, for example. The deregulation of ownership in radio has been astonishing. We've seen over half the stations sold. It used to be you could only own twelve or fourteen stations nationally. Now you can have as many as you want, up to eight in the largest markets. There's been an unbelievable consolidation of ownership, with disastrous implications for the content of radio as it's been regimented and homogenized. All the localism and creativity have been stripped out. But the profits are going through the roof, which was exactly what was meant to happen. | ||||||||
| 9 | Ralph Nader reports that when the legislation was being drafted, the lobbyists for the big telecom corporations were actually in the Congressional committee rooms helping the representatives of the people draft the legislation. | |||||||
| It was a classic case. The lobbyists wrote chunks of it. This really shows how politics works. There were intense fights among these various lobbying groups, the satellite broadcasters, terrestrial broadcasters, cable companies, long-distance companies and local Baby Bells, about who was going to get the biggest slice of the pie, the best terms of the law. But there was one thing they all agreed on, which was, it was their pie. No one else should know about it. They would keep it to themselves. They were fighting each other incessantly for five years. In 1996, three weeks before it passed, all the conventional wisdom was saying it wouldn't get through, that it would take another year or two to pass because there were such big fights. They all buried the hatchet, because they wanted to get it out of Congress's hands. They were afraid the general public might learn about it and weigh in on it, particularly with someone like Ross Perot running for President again. They saw what a monkey wrench he threw into their plans for NAFTA in 1992 and they didn't want to see it again. | ||||||||
| 10 | Let's talk about the Internet and its initial public subsidy. Its origins were rooted in a Pentagon-funded project called the Advanced Research Projects Agency, Arpanet. At what point does the Internet pass into the private sector? Did I miss that debate? | |||||||
| You might have blinked at that moment. There was no coverage of it whatsoever. The Telecom Act of 1996 was probably the final word on the subject that passed all control over to the private sector. There was zero debate. It's a classic case of how politics works short of having popular movements that challenge corporate power. The Internet was founded in the 1960s and 1970s not just for the military, but for researchers to communicate through their computers. It made no sense to the private sector. It's a real testament to socialism, or to public-sector investment. There was no way you could make money off this thing for twenty years. The story goes that in the 1970s the government went to AT&T and said: "Will you take this thing over? It's costing us a lot of money." AT&T looked at it and said: "We can't make any money off this. You keep it." Bill Gates had nothing to do with the Internet. He is the most overrated person, as an aside. People think he's so rich he must be a genius. He's better than us. He has better sex. He's funnier. He's handsomer. He's the Ringo Starr and Jed Clampett of the Information Age. He's sitting on this monopoly. Anyone with a $100 billion monopoly is going to have people kissing up to him. He had nothing to do with it. He didn't know about it until well after it hit. A decade later he was waking up to it. If you have $100 billion in market power you can act like you own the darn thing. | ||||||||
| In the early 1990s, finally commercial interests saw: "We could make a lot of money on this thing." It was quietly privatized and the government sacrificed all its policy-making to industry groups, non-profit bodies representing commercial interests, a staggering gift of corporate welfare. One of the great things about give the people what they want argument is that in 1995 the ad industry did a survey of the American people and found something like two-thirds wanted no advertising or commercials on the Internet. They didn't give us what we want that time. They only give you what you want if they can make a lot of money on it. Generally that's a much different range from what people should want or do want if they're give a real choice. | ||||||||
| 11 | What are the implications of the recent court ruling on Microsoft? The judge commented on the "predatory monopolistic tendencies and actions of Microsoft." Were you surprised by that decision? | |||||||
| A little bit, but not especially. They were guilty as charged. Any honest assessment would do that. At the same time, I'm not breaking out any champagne bottles over it. First of all, what Microsoft did was just classic capitalism. If you're an investor in Microsoft, you would want them to eliminate competition. Oracle, Sun Microsystems, all of them would do that had they been in that position. They just weren't in that position. It's just how capitalism works. The real thing that matters is to actually do something meaningful about it to set these markets open. There I'm concerned that the chances of that happening are a lot different. In this case you've got all the powerful firms in the industry lined up against Microsoft. They were pushing and supporting the government. Now, as they negotiate a solution, we're going to have all these firms jockeying for the best deal for themselves, and they are all going to agree they want to keep it in private hands. Unless there's public pressure, which I don't foresee in the short term, the solution is not just going to basically turn the monopoly into a duopoly. I think it's unlikely. So it's good what's been done, but let's not think that's the end of it. | ||||||||
| 12 | I asked Noam Chomsky about the increasing media concentration. His answer departs from the traditional left line. He said: "There's not much evidence that the media before all these takeovers and mergers happened were producing any better product." | |||||||
| I would disagree in one way. I think Chomsky's generally right in the sense that to romanticize more competitive markets is wrong. There were fundamental problems with our media system before. When I talked to him about this issue, he said: "What were they doing before that was so much better?" He's right at that level. But what has happened with concentrated ownership is that what autonomy journalists did have, and they didn't use it very effectively for the most part, has come under sustained attack by corporate owners and advertisers. The result is a softening of news stories and a reluctance now to attack major advertisers. That wasn't the case ten or twenty years ago. You see a real merging, the breakdown of the separation of editorial and commercial content. As a result, journalists who used to be the foremost defenders of the commercial media system are now some of its strongest critics because they can see that the profit motive and commercialism undermine their ability to do anything remotely close to public service journalism. That's a big change. And that has only taken place due to concentration. | ||||||||
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Making Media Democratic
Robert W. McChesney
The American media system is spinning out of control in a hyper-commercialized frenzy. Fewer than ten transnational media conglomerates dominate much of our media; fewer than two dozen account for the overwhelming majority of our newspapers, magazines, films, television, radio, and books. With every aspect of our media culture now fair game for commercial exploitation, we can look forward to the full-scale commercialization of sports, arts, and education, the disappearance of notions of public service from public discourse, and the degeneration of journalism, political coverage, and children's programming under commercial pressure.
For democrats, this concentration of media power and attendant commercialization of public discourse are a disaster. An informed, participating citizenry depends on media that play a public service function. As James Madison once put it, "A popular government without popular information, or the means of acquiring it, is but a prologue to a farce or a tragedy, or perhaps both." But these democratic functions lie beyond the reach of the current American media system. If we are serious about democracy, then, we need to work aggressively for reform.
What kind of reform? In broad terms, we need to reduce the current degree of media concentration, and, more immediately, blunt its effects on democracy. More specifically, we need special incentives for nonprofits, broadcast regulation, public broadcasting, and antitrust. I present these proposals as the start of a debate about media reform, not as ultimate solutions. I am sure that spirited discussion will improve these ideas: my immediate concern is to get that discussion started. I will not dwell here on the weaknesses of the current US media system, beyond summarizing arguments that I (and many others) have made elsewhere. The point here is to begin answering the natural follow-up to such criticisms: "If the status quo is so bad, what do you propose that would be better?"
Media and Democracy
The case for media reform is based on two propositions. First, media perform essential political, social, economic, and cultural functions in modern democracies. In such societies, media are the principal source of political information and access to public debate, and the key to an informed, participating, self-governing citizenry. Democracy requires a media system that provides people with a wide range of opinion and analysis and debate on important issues, reflects the diversity of citizens, and promotes public accountability of the powers-that-be and the powers-that-want-to-be. In short, the media in a democracy must foster deliberation and diversity, and ensure accountability.
Second, media organization-patterns of ownership, management, regulation, and subsidy-- i s a central determinant of media content. This proposition is familiar from discussions of media in China and the former Soviet Union. For those countries, the idea that the media could promote deliberation, diversity, and accountability, while being effectively owned and controlled by the Communist Party, was not even worth refuting. Similarly, we are not surprised to hear that when cronies of the Mexican government owned the country's only TV station, television news coverage was especially favorable to the ruling party.
In the United States, in contrast, analysis of the implications of private ownership and advertising support for media content has been limited. For much of the second half of the twentieth century, Americans have heard that we have no reason to be concerned about corporate ownership of media or dependence on commercial advertising because market competition forces commercial media to "give the people what they want," and journalistic professionalism protects the news from the biases of owners and advertisers as well as journalists themselves.
Such views now seem very dubious. Consider first the alleged benefits of competition. The main media markets-- film, TV, magazines, music, books, cable, newspapers-- are all oligopolies or semi-monopolies with severe barriers to new entrants. Moreover, media economics make it virtually impossible for a firm to be dominant in just one sector. Because of opportunities that come with having properties in different media markets, the largest media firms all have rushed to establish conglomerates over the past decade. Time Warner, for example, is one of the top five US or global leaders in film production, TV show production, cable TV channels, cable TV systems, movie theater ownership, book publishing, music, and magazine publishing. It also has amusement parks, retail stores, and professional sport teams. Disney, too, seems to have mastered the logic of conglomeration: its animated films Pocahantas and Hunchback of Notre Dame were only marginal successes at the box office, with roughly $100 million in gross US revenues, but both films will generate close to $500 million in profit for Disney, once it has exploited all other venues: TV shows on its ABC network and cable channels, amusement park rides, comic books, CD-ROMs, CDs, and merchandising (through 600 Disney retail stores). Firms without these options simply cannot compete in this market, which is why animation is the province of only the largest media giants. This example is extreme, but it sharply underscores the fundamental principle.
These observations about conglomeration, however, barely begin to explain just how noncompetitive the media market is-if we take "competitive" in the economics textbook sense. Firms in specific markets do directly compete, at times ferociously. But these firms are also each other's best customers, as when a film studio sells its product for presentation to a broadcast network's cable channel. Moreover, to reduce risk and competition, the largest media firms have turned to "equity joint ventures" in the 1990s. Under such arrangements, media giants share the ownership of a specific media project: Fox Sports Net is jointly owned by Rupert Murdoch's News Corporation and John Malone's TCI; the Comedy Central cable channel is co-owned by Time Warner and Viacom. Murdoch explains the logic behind joint ventures as only he can: "We can join forces now, or we can kill each other and then join forces." The nine largest American media firms have, on average, joint ventures with nearly six of the other eight giants. Murdoch's News Corp. has at least one joint venture with every single one of them.
In such noncompetitive markets, the claim that media firms "give the people what they want" is unconvincing. The firms have enough market power to dictate the content that is most profitable for them. And the easy route to profit comes from increasing commercialism-larger numbers of ads, greater say for advertisers over non-advertising content, programming that lends itself to merchandising, and all sorts of cross promotions with non-media firms. Consumers may not want such hyper-commercialism, but they have little say in the matter. So we have a 50 percent increase in the number of commercials on network TV in the past decade; the development of commercially-saturated kids' programming as arguably the fastest-growing and most profitable branch of the TV industry in the 1990s; becoming standard in motion pictures. The flip side of this commercialism is the decline of public service-of the notion that there is any purpose to our media except to make money for shareholders.
Under such conditions, journalistic norms can hardly be expected to stem the commercial tide. Contemporary commercial journalism is essentially a mix of crime stories, celebrity profiles, consumer news pitched at the upper middle class, and warmed over press releases. Bookstores are filled with dispirited reports by former editors and journalists bemoaning the brave new world of corporate journalism. Journalist unions are very important in this regard, by protecting journalistic norms from the commercial interests of the owners. But without other measures to weaken corporate media power, unions are not likely to be able to resist pressures from the current media system.
For democrats, then, media competition and journalistic norms do not suffice for deliberation, diversity, and accountability. If media are central to the formation of a participating and informed citizenry, and if media organization influences media performance, then issues about ownership, regulation, and subsidy need to be matters of public debate. But such debate has been almost non-existent in the United States. Even in broadcasting, where the publicly owned airwaves are licensed to private users, the public has never had any meaningful participation in the formation of policy.
Consider the Telecommunications Act of 1996. The law it replaced, the Communications Act of 1934, regulated telephony, radio, and television. The 1996 Act provides the basis for determining the course of radio, television, telephony, the Internet-indeed virtually all aspects of communication as we shift over to digital technologies. Its guiding premise is that the market should rule communication, with government assistance. The politics of the Act consisted largely of powerful corporate communication firms and lobbies fighting behind the scenes to get the most favorable wording. That the corporate sector would control all communication was a given; the only fight was over which sectors and which firms would get the best deals. The public was for the most part unaware of these debates. The drafting and struggles over the Telecommunications Act of 1996 were hardly discussed in the news media, except in the business and trade press, where the legislation was covered as a story of importance to investors and managers, not citizens, or even consumers.
The results of the Telecommunications Act, with its relaxation of ownership restrictions to promote competition across sectors, have been little short of disastrous. Rather then produce competition, a far-fetched notion in view of the concentrated nature of these markets, the law has paved the way for the greatest period of corporate concentration in US media and communication history. The seven Baby Bells are now four-if the SBC Communications purchase of Ameritech goes through-with more deals on the way. In radio, where ownership restrictions were relaxed the most, the entire industry has been in upheaval, with 4,000 of the 11,000 commercial stations being sold since 1996. In the 50 largest markets, three firms now control access to over half the radio audience. In 23 of those 50 markets, the three largest firms control 80 percent of the radio audience. The irony is that radio, which is relatively inexpensive and thus ideally suited to local independent control, has become perhaps the most concentrated and centralized medium in the United States.
No doubt the United States needed a new communications law. Digital technologies are undermining the traditional distinctions between media and communication sectors that formed the basis for earlier communication regulation. But the legislation we ended up with reflects the failed process that produced it.
False Starts
Because corporate control and the role of advertising are effectively off-limits to public discussion, reformers have faced limited options. Hence they have tended to press for mild reforms that do not threaten corporate and advertiser hegemony. And because these mild reforms generate little enthusiasm from the broad public, media activists have put little effort into organizing popular support for their efforts. The result is an "inside-the-beltway," low-political-stakes style of public interest lobbying. For example, in 1997 some media activists claimed victory when the Federal Communications Commission began requiring broadcasters to do three hours a week of educational programming for kids. The problem with this "victory" was that these educational programs would all remain commercially sponsored with ultimate control in the hands of business interests.
Other reformers have turned to "civic" or "public" journalism, a well- intentioned attempt to reduce the sensationalism and blatant political manipulation of mainstream journalism. Unfortunately, the movement completely ignores the structural factors of ownership and advertising that have led to the attack on journalism. Public journalism, not surprisingly, is averse to "ideological" approaches to the news, and therefore encourages a boringly "balanced" and soporific newsfare. Claiming to give readers news they think is important to their lives, advocates of public journalism may in fact be assisting in the process of converting journalism into the type of consumer news and information that delights the advertising community.
Still others have joined the media literacy movement. The idea here is to educate people to be skeptical and knowledgeable users of the media. Media literacy has considerable potential so long as it involves explaining how the media system actually works, and leads people to work for a better system. But a more conventional wing of the movement implicitly accepts that commercial media "give the people what they want." So the media literacy crowd's job is to train people to demand better fare. The resulting strategy may simply help to prop up the existing system. "Hey, don't blame us for the lousy stuff we provide," the corporate media giants will say. "We even bankrolled media literacy to train people to demand higher quality fare. The morons simply demanded more of what we are already doing."
While media literacy has an important role to play in media reform, civic journalism has been at best a mixed blessing. Some observers credit civic journalism, which is widespread in North Carolina, with helping in Jesse Helms's 1996 re-election. Why? Because civic journalism was ill-equipped to generate tough questions, or press politicians to answer them. So Helms got a cakewalk from the press, barely having to defend his record.
The evidence is clear: if we want a media system that produces fundamentally different results, we need solutions that address the causes of the problems; have to address issues of media ownership, management, regulation, and subsidy. Our goal should be to craft a media system that reduces the power of a handful of enormous corporations and advertisers to dominate the media culture. But no one will press for reform until we have some ideas worth debating. The ultimate trump card of the status quo is the claim that any change in our media system will invariably lead to darkness at noon. The purpose of the balance of this article is to establish that there are indeed several workable proposals for media reform that will expand, not contract, freedom and will energize our culture and democracy.
Media Reform Proposals
Building nonprofit and noncommercial media. The starting point for media reform is to build up a viable nonprofit, noncommercial media sector. Such a sector currently exists in the United States, and produces much of value, but it is woefully small and underfunded. It can be developed independent of changes in laws and regulations. For example, foundations and organized labor could and should contribute far more to the develop of nonprofit and noncommercial media. Labor, in particular, has to be willing to subsidize radio, television, Internet, and print media. Moreover, labor cannot seek to micromanage these media and have them serve as its PR agents. For independent media to flourish, they must have editorial integrity.
Sympathetic government policies could also help foster a nonprofit media sector, and media reform must work to this end. Government subsidies and policies have played a key role in establishing lucrative commercial media. Since the 19th century, for example, the United States has permitted publications to have quality, high speed mailing at relatively low rates. We could extend this principle to lower mailing costs for a wider range of nonprofit media, and/or for media that have little or no advertising. Likewise we could permit all sorts of tax deductions or write-offs for contributions to nonprofit media. Dean Baker of the Economic Policy Institute has developed a plan for permitting taxpayers to take up to $150 off their federal tax bill, if they donate the money to a nonprofit news medium. This would permit almost all Americans to contribute to nonprofit media-not just those with significant disposable incomes-and help create an alternative to the dominant Wall Street/Madison Avenue system.
Public Broadcasting. Establishing a strong nonprofit sector to complement the commercial giants is not enough. The costs of creating a more democratic media system simply are too high. Therefore, it is important to establish and maintain a noncommercial, nonprofit, public radio and television system. The system should include national networks, local stations, public access television, and independent community radio stations. Every community should also have a stratum of low-power television and micropower radio stations.
The United States has never experienced public broadcasting in the manner of Japan, Canada, and Western Europe. In contrast to the US, public broadcasting there has been well funded and commissioned to serve the entire population. In the United States, public broadcasting has always been underfunded, and effectively required to provide only programming that is not commercially viable. As a result, public broadcasters typically provide relatively unattractive programming to fringe audiences, hardly a strategy for institutional success. Moreover, Congress has been a watchdog to see that public broadcasting did not expand the range of ideological discourse beyond that provided by the commercial broadcasters. In sum, public broadcasting in the United States has been handcuffed since its inception. Still, it has developed a devoted following. This following has provided enough vocal political support to keep US public broadcasting from being effectively privatized, but most of this toothpaste is now out of the tube. Public radio and television are increasingly dependent upon corporate grants and "enhanced underwriting," a euphemism for advertising. The federal subsidy only accounts for some 15 percent of public broadcasting revenues. Indeed, public broadcasting, by the standard international definition, no longer exists in the United States. Instead, we have nonprofit commercial broadcasting, closely linked to the corporate sector, with the constant threat of right-wing political harassment if public stations step out of line.
We need a system of real public broadcasting, with no advertising, that accepts no grants from corporations or private bodies, and that serves the entire population, not merely those who are disaffected from the dominant commercial system and have to contribute during pledge drives. Two hurdles stand in the way of such a system. The first is organizational: How can public broadcasting be structured to make the system accountable and prevent a bureaucracy impervious to popular tastes and wishes, but to give the public broadcasters enough institutional strength to prevent implicit and explicit attempts at censorship by political authorities? The second is fiscal: Where will the funds come from to pay for a viable public broadcasting service? At present, the federal government provides $260 million annually. The public system I envision-which would put per capita US spending in a league with, for example, Britain and Japan-may well cost $5-10 billion annually.
There is no one way to resolve the organizational problem, and perhaps an ideal solution can never be found. But there are better ways, as any comparative survey indicates. One key element in preventing bureaucratic ossification or government meddling will be to establish a pluralistic system, with national networks, local stations, community and public access stations, all controlled independently. In some cases direct election of officers by the public and also by public broadcasting employees may be appropriate, whereas in other cases appointment by elected political bodies may be preferable. As for funding, I have no qualms about drawing the funds for fully public radio and television from general revenues. There is an almost absurd obsession with generating funds for public broadcasting from everywhere but the general budget, on the bogus premise that public broadcasting cannot be justified as a public expense. In view of radio and television's importance in our lives, it clearly deserves a smidgen of the money we use to build entirely unnecessary weapons systems. We subsidize education, but the government now subsidizes media only on behalf of owners. We should seek to have a stable source of funding, one that cannot be subject to manipulation by politicians with little direct interest in the integrity of the system.
A powerful public radio and television system could have a profound effect on our entire media culture. It could lead the way in providing the type of public service journalism that commercialism is now killing off. This might in turn give commercial journalists the impetus they need to pursue the hard stories they now avoid. It could have a similar effect upon our entertainment culture. A viable public TV system could support a legion of small independent filmmakers. It could do wonders for reducing the reliance of our political campaigns upon expensive commercial advertising. It is essential to ensuring the diversity and deliberation that lie at the heart of a democratic public sphere.
Regulation. A third main plank is to increase regulation of commercial broadcasting in the public interest. Media reformers have long been active in this arena, if only because the public ownership of the airwaves gives the public, through the FCC, a clear legal right to negotiate terms with the chosen few who get broadcast licenses. Still, even this form of media activism has been negligible, and broadcast regulation has been largely toothless, with the desires of powerful corporations and advertisers rarely challenged.
Experience in the United States and abroad indicates that if commercial broadcasters are not held to high public service standards, they will generate the easiest profits by resorting to the crassest commercialism, and will overwhelm the balance of the media culture. Moreover, standard-setting will not work if commercial broadcasters are permitted to "buy" their way out of public service obligations; the record shows that they will eventually find a way to reduce or eliminate these payments. Hence the most successful mixed system of commercial and public broadcasting in the world was found in Britain from the 1950s to the 1980s. It was successful because the commercial broadcasters were held to public service standards comparable to those employed by the BBC; some scholars even argue that the commercial system sometimes outperformed the BBC as a public service broadcaster. The British scheme worked because commercial broadcasters were threatened with loss of their licenses if they did not meet public service standards. (Regrettably, Thatcherism, with its mantra that the market can do no wrong, has undermined the integrity of the British broadcasting system.)
In three particular areas, broadcast regulation can be of great importance. First, advertising should be strictly regulated or even removed from all children's programming (as in Sweden). We must stop the commercial carpetbombing of our children. Commercial broadcasters should be required to provide several hours per week of ad-free kids' programming, to be produced by artists and educators, not Madison Avenue hotshots.
Second, television news should be taken away from the corporate chiefs and the advertisers and turned over to journalists. Exactly how to organize independent ad-free children's and news programming on commercial television so that it is under the control of educators, artists, and journalists will require study and debate. But we should be able to set up something that is effective.
As for funding this public service programming, I subscribe to the principle that it should be subsidized by the beneficiaries of commercialized communication. This principle might be applied in several ways. We could charge commercial broadcasters rent on the electromagnetic spectrum they use to broadcast. Or we could charge them a tax whenever they sell the stations for a profit. In combination these mechanisms could generate well over a billion dollars annually. Or we could tax advertising. Some $200 billion will be spent to advertise in the United States in 1998, $120 billion of which will be in the media. A very small sales tax on this or even only on that portion that goes to radio and television could generate several billion dollars. It might also have the salutary effect of slowing down the commercial onslaught on American social life. And it does not seem like too much to ask of advertisers who are permitted otherwise to marinate most of the publicly owned spectrum in commercialism.
Third, political candidates should receive considerable free airtime on television during electoral campaigns. In addition, paid TV advertising by candidates should either be strictly regulated or banned outright, as the exorbitant cost of these ads (not to mention their lame content) has virtually destroyed the integrity of electoral democracy here. If they cannot be banned, or even reduced by regulation, then perhaps a provision should be made that if a candidate purchases a TV ad, his or her opponents will all be entitled to free ads of the same length on the same station immediately following the paid ad. This would prevent rich candidates from buying elections. I suspect it would pretty much eliminate the practice altogether.
Even in these pro-market times, the corporate media have been unable to rid the public of its notion that commercial broadcasters should be required to serve the public as well as shareholders and advertisers. Hence, when commercial broadcasters were able to force the FCC in 1997 to give them (at no cost) massive amounts of new spectrum so they could begin digital TV broadcasting, the Clinton administration established the Gore Commission to recommend public service requirements to be met by broadcasters in return for this gift. Following the contours of US media politics, the Gore Commission has been little short of a farce, with several industry members stonewalling all but the lamest proposals. But we can hope that the Gore Commission will generate some more serious public service proposals, and provide the basis for a public education campaign and subsequent legislation to give them the force of law.
Antitrust.. The fourth strategy for creating a more democratic media system is to break up the largest firms and establish more competitive markets, thus shifting some control from corporate suppliers to citizen consumers. By all accounts, the current antitrust statutes are not satisfactory, and if antitrust is ever to be applied to media it will require a new statute, similar in tone to the seminal Clayton and Sherman Acts, that lays out the general values to be enforced by the Justice Department and the Federal Trade Commission. The objective should be to break up such media conglomerates as Time Warner, News Corporation, and Disney, so that their book publishing, magazine publishing, TV show production, movie production, TV stations, TV networks, amusement parks, retail store chains, cable TV channels, cable TV systems, etc. all become independent firms. With reduced barriers-to-entry in these specific markets, new firms could enter.
The media giants claim that their market power and conglomeration make them more efficient and therefore able to provide a better product at lower prices to the consumer. There is not much evidence for these claims, though it is clear that market power and conglomeration make these firms vastly more profitable. Moreover, even if one accepts that antitrust would lead to a less efficient economic model, perhaps we should pay that price to establish a more open and competitive marketplace. In view of media's importance for democratic politics and culture, they should not be judged by purely commercial criteria.
Antitrust is the wild card in the media reform platform. It has tremendous appeal across the population and is usually the first idea citizens suggest when they are confronted with the current media scene. But it is unclear whether antitrust legislation could be effectively implemented. And even if it does prove effective, the system would remain commercial, albeit more competitive. It would not, in other words, reduce the need for the first three proposals.
Not to Worry?
The fundamental flaws in our corporate-dominated, commercial media system are widely appreciated. Unfortunately, there is also a rush to assert that the Internet should silence our fears. Because the Internet is open to all at relatively low prices, the hegemony of media giants and advertisers will soon end, to be replaced by a wide-open, decentralized, diverse, fast-changing, and competitive media culture. Best of all, this result is implicit in the Internet's digital network technology, and will not require government regulation. Indeed, the mainstream consensus-strongly endorsed by the Clinton administration's Internet policy-is that government regulation alone could prevent the Internet from working its magic.
Though the Internet and digital communication in general are certainly creating a radical change in our media and communication systems, the results may not be a more competitive market or more democratic media. Indeed, the evidence to date suggests that as the Internet becomes a commercial medium, the largest media firms are most likely to succeed. The media giants can plug digital programming from their other ventures into the Web at little extra cost. To generate an audience, they can promote their Web sites incessantly on their traditional media holdings. The leading media "brands" have been the first to charge subscription fees for their Web offerings; indeed, they may be the only firms for which this is even an alternative. The media giants can (and do) arrange to have their advertisers agree to advertise on their Web sites. The media giants can also use their market power and brand names to get premier position in Web browser software. The new Microsoft Internet Explorer 4.0 offers 250 highlighted channels, and the "plum positions" belong to Disney and Time Warner. Netscape and Pointcast are making similar arrangements. Moreover, approximately half the venture capital for Internet content start-up companies comes from established media firms; they want to be able to capitalize on profitable new applications as they emerge. In addition, the evidence suggests that in the commercialized Web, advertisers will have increased leverage over content because of the number of choices before them.
When these market considerations are taken together, it is difficult to imagine the growth of a competitive digital media marketplace in which small suppliers overwhelm corporate giants. Digital communication will cause considerable dislocation, but not a revolution. And in the end, the content of the digital communication world will appear quite similar to the content of the pre-digital world.
Ironically, the most striking feature of digital communication may well be not that it opened up competition in communication markets, but that it has promoted consolidation by undermining traditional distinctions between radio, television, telecommunication, and computer software. In the 1990s, almost all the media giants have entered into joint ventures or strategic alliances with the largest telecom and software firms. Time Warner is connected to several of the US regional (Bell) telephone giants, as well as to AT&T and Oracle. It has a major joint venture with US West. Disney, likewise, is connected to several major US telecommunication companies, as well as to America Online. News Corp. is partially owned by WorldCom (MCI) and has a joint venture with British Telecom. Microsoft, as one analyst noted, seems to be in bed with everyone. In due course the global media cartel may become something of a global communication cartel.
So how does the rise of the Internet alter my proposals for structural media reform? Very little. There are, of course, some specific policy reforms we should seek for the Internet: for example, guaranteeing universal public access at low rates, perhaps for free, and assuring links for nonprofit Web sites on the dominant browsers and commercial sites. But in general terms, we might do better to regard the Internet as the corporate media giants regard it: as part of the emerging media landscape, not its entirety. So when we create more and smaller media firms, when we create public and community radio and television networks and stations, when we create a strong public service component to commercial news and children's programming, when we use government policies to spawn a nonprofit media sector, all these efforts will have a tremendous effect on the Internet's development as a mass medium. Why? Because Web sites will not be worth much if they do not have the resources to provide a quality product. And all the new media that result from media reform will have Web sites as a mandatory aspect of their operations, much like the commercial media. By creating a vibrant and more democratic "traditional" media culture, we will go a long way toward doing the same with the Web.
Conclusion
Imagine a world in which scores, even hundreds, of media firms operate in markets competitive enough to permit new entrants. Imagine a world with large numbers of public, community, and public access radio and television stations and networks, with enough funding to produce high quality products. Imagine a world where the public airwaves provide compelling journalism, children's programming, and political candidate information, with control vested in people dedicated to public service. Imagine a world where creative government fiscal policies enable small nonprofit and noncommercial media to sprout and prosper, providing some semblance of a democratic public sphere.
Though imaginable, this world seems wholly implausible-and not only because of the political muscle of the corporate media and communications lobbies. Over the past generation, "free market" neoliberals have understood the importance of media as an instrument of social control far better than anyone else. The leading conservative foundations have devoted considerable resources to reducing journalistic autonomy and ideological diversity and pushing media in a more explicitly pro-business direction. The pro-market political right understood that if big business dominated the main fora for political education and debate, then public scrutiny of business would be markedly reduced. These same "free market" foundations fight any public interest component to media laws and regulations, oppose any form of noncommercial and nonprofit media, and lead the battle to ensure that public broadcasting stays within narrow ideological boundaries. In short, we had a major political battle over media for the past generation, but only one side showed up. The results are clear, and appalling.
But now there are signs that the battle for the control of our media is about to be joined. Organizations such as Fairness & Accuracy in Reporting (FAIR), the media watch group, have boomed in the 1990s, and local media watch/media activism groups have blossomed in Denver, New York, Chicago, Los Angeles, Seattle and elsewhere since 1995. In 1998 the Rainbow/PUSH coalition made media reform one of its two major organizing drives, holding regional conferences on the subject across the nation. Members of the Congressional Black Caucus and the Congressional Progressive Caucus have agreed to draft and sponsor legislation in each of the areas mentioned earlier. Organized labor, especially media unions, have shown increased interest in and support for the issue. All of this would have been unthinkable only five years ago. It follows the trend around the world in the late 1990s, where media reform has become an indispensable part of democratic political movements. But we still have a long way to go. Large sectors of the population that are disadvantaged by the media status quo and who should be among media reform's strongest advocates-educators, librarians, parents, journalists, small businesses, laborers, artists, kids, political dissidents, progressive religious people, minorities, feminists, environmentalists-are scarcely aware that the issue even exists to be debated. The corporate media lobby is so strong that victory seems farfetched in the current environment, especially when the corporate news media show little interest in publicizing the issue.
Winning major media reform, then, will require the sort of political strength that comes with a broader social movement to democratize our society. We need to see that media reform is a staple of all progressive politics, not just a special interest cause. And media reform may have broad political appeal. Some "cultural conservatives" may be open to calls to reduce the hyper-commercialism of our media culture. And strongly pro-market democrats may recognize that media is an area where the crude application of market principles has produced disastrous "externalities." In sum, the train of media reform is leaving the station. If we value democracy we have no choice but to climb aboard.